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| JOHN PHILLIPS |
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Lives and works in Chicago
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EDUCATION
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1979
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MFA, The School of the Art Institute of Chicago
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1978
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Whitney Fellow, Whitney Museum of American Art ISP,
New York
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| 1975 |
BFA, University of Colorado, Boulder
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| SOLO EXHIBITONS |
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2002
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Villa Montalvo Gallery, Saratoga, CA.
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Bodybuilder & Sportsman Gallery, Chicago
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1997
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I-Space, Chicago
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1993
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N.A.M.E., Chicago
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The University Club, Chicago
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1992
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Dart Gallery, Chicago
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1987
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Marianne Deson Gallery, Chicago
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1983
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One Illinois Center
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1981
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Barbara Balkin Gallery, Chicago
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GROUP EXHIBITIONS
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2001
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Ego-berry, Art and Design Center, Nagoya University
of Arts, Nagoya, Japan
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2000
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Critics Choice, Jan Cicero Gallery, Chicago
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Electraslip Knife, private loft, Chicago
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Out of Line, Chicago Cultural Center
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1999
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It Looks Easy, Gallery 400, University of Illinois,
Chicago
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Sextablos, Hyde Park Art Center, Chicago (catalogue)
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1998
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House of Wax, Contemporary Arts Center, Cincinnati
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Home Grown Cool, Wake-Forest University
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Tom Blackman Associates, Chicago
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1997
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Cool Painting, Reicher Gallery, Barat College, Lake
Forest, IL
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1996
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Art in Chicago, 1945-1995, Museum of Contemporary
Art, Chicago
curated by Lynne Warren (catalogue)
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Plane Speak, Chicago Cultural Center
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Abstract Chicago: 1996, Klein Art Works, Chicago
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1995
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The Content of Abstraction, traveling: Illinois State
Museum, Springfield;
Illinois Art Gallery, Thompson Center, Chicago; Gahlberg
Gallery, College of DuPage, curated by Andree Stone
(catalogue)
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Chicago Abstract Painters, Evanston Art Center, Evanston,
IL
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A Sight for Sore Eyes, Ten In One Gallery, Chicago
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1994
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Benefit Exhibition, White Columns, New York
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The Spizer Collection, Rockford Art Museum
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Chicago Drawings, Galleria Porta 33, Funchal, Portugal
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Group Show, Klein Art Works, Chicago
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1993
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Cutting Bait, Randolph Street Gallery, Chicago
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Abstract: Chicago, Klein Art Works, Chicago (catalogue)
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Deluge, Lyons Wier Gallery, Chicago
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1992
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From America's Studio : Drawing New Conclusions,
Betty Rymer Gallery
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School of the Art Institute of Chicago, curated by
James Yood (catalogue)
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1991
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In Full Effect, White Columns, New York, curated
by Bill Arning (catalogue)
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Group Show, Dart Gallery, Chicago
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1989
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Invitational, Shea+Beker, New York
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Six Critics; Twelve Artists, Countryside Art Center,
Arlington Heights,
curated by Joshua Kind
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Summer Show, Dart Gallery, Chicago
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1988
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Expo Show, Marianne Deson Gallery, Chicago
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1986
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Extended Boundaries, Chicago Cultural Center, curated
by Deven Golden
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1985
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Chicago and Vicinity Show, The Art Institute of Chicago
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1984
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Formal Abstraction, N.A.M.E., Chicago
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1983
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Emerging, The Renaissance Society, Chicago
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1982
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Critical Perspectives, P.S. 1, New York, curated
by Peter Plagens (catalogue)
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The Sotet Collection, University of Maryland
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Three x Three, The Ukrainian Institute of Modern
Art, Chicago (catalogue)
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1981
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Black Light Planet Picasso, Private Loft, Chicago
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1980
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Drawn from Chicago, Nexus Gallery, Philadelphia
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Chicago Art Prospectus, Navy Pier, Chicago
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Four Painters, N.A.M.E., Chicago
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PUBLIC COMMISION
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| 1999 |
City of Chicago for Art, 911 Center, permanent installation.
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| PUBLIC COLLECTIONS |
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The John D. and Catherine T. MacArthur Foundation
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The Rockford Art Museum , Rockford , Illinois
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City of Chicago
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| VISITING ARTIST |
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University of Chicago
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University of Illinois, Chicago
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Wake Forest University, Winston-Salem, North Carolina
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Illinois State University, Normal Editions, Normal, Illinois
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| TEACHING |
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School of the Art Institute of Chicago: 1996-2002
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| SELECTED BIBLIOGRAPHY |
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Arning, Bill, In Full Effect, catalogue essay, November 1991,
Illus: Nothin' but Gossip, b/w
Artner, Allen, Phillips gets less sensuous, Chicago Tribune. Feburary
22 2002,
Illus: Entourage, color.
Artner, Allen, Chicago Abstract Painters, Chicago Tribune. Feburary
3 1995, p.48 (Friday)
Artner, Allen, Take a Bow, Chicago Tribune, January 16, 1992, p.2
(Tempo), Illus: Nothin' but a Gossip.
Artner, Allen, John Phillips at I-Space, Chicago Tribune, May 15,
1997, p.2
(Tempo), Illus: An Event, b/w.
Bonesteel, Michael, Chicago Abstract Painters, Pioneer Press, Feburary,
1995,
Brunetti, John, John Phillips at I-Space, New Art Examiner, Sept.
1997 Illus: Fickle Notions, b/w
Brunetti, John, Home Grown Cool show brochure essay, Illus: Entourage,
color
Burleigh, Robert, Three x Three, New Art Examiner, June 1982.
Buleigh, Robert, Four Artitst, New Art Examiner, January, 1982.
Greene, Ann, Local Talent, Where Chicago, July, 1992, pp. 20-21,
Illus: Miss Froggy, color
Grisham, Esther, Cutting Bait, Dialogue, Sept./Oct., 1993, p.19
Haydon, Harold, Review, Chicago Sun Times, October, 1981.
Haydon, Harold, Four Painters, Chicago Sun Times, July 4, 1980,
p.41
(Weekender)
Hixson, Kathyrn, Plain Speak, New Art Examiner, March, 1996.
vHixson, Kathyrn, John Phillips at Dart, Arts Magazine, April, 1992,
pp. 96-97,
Illus: Role Model, b/w
Holg, Garrett, Six Critics; Twelve Artist, catalogue essay, April,
1989.
Holg, Garrett, John Phillips at marianne Deson, New Art Examiner,
March, 1996,
Illus: Vanina, b/w
Kangus, Mathew, Disappearing Epicenter, Insight, Spring, 1981, pp.
7-8,
Illus: Humbert's Dilemma, b/w
Krainak, Paul, Notes of an Abstract Idealist, Art Papers, September,
1986, pp.4-5 Illus: The Last Laugh and Cesare's Dilemma, both b/w
Krainak, Paul, Drawn from Chicago, Nexus, September, 1980.
Kuspit, Donald, Critical Perspectives, Art Forum, April, 1982, pp.
81-83
Leonhart, Mark, The Art Party in Chicago, New Art Examiner, March,
1981
McCorkle, Corey, Cutting Bait, catalogue essay, May, 1993, Illus:
The Easy Livin'
Plan, b/w
McCracken, David, John Phillips at N.A.M.E, Chicago Tribune, Nov.
19, 1993, p. 66 (Friday), Illus: Peetie Wheatstraw's Buddy, b/w
McCraken, David, Ten Most Wanted, Chicago Tribune, Sept. 10, 1993,
p.65 (Friday)
Meloche, Monique, Art in Chicago: 1945-1995 catalogue, (Biographies),
p. 275;
Illus. P. 209, Space Shuttle, 1981 (color)
Morgan, Ann, Three x Three, catalogue essay, May, 1982 Illus: Reet
Petite and Modern Times, both b/w
Morrison, Mandy, Fresh Paint, Reader, June 11, 1993, pp.27-28.
Plagens, Peter, Critical Perspectives, catalogue essay, January
1982.
Riddell, Jennifer, The Content of Abstraction, New Art Examiner,
Summer. 1995, p.45.
Sachs, Sid, Drawn from Chicago, New Art Examiner, December, 1980.
Saltz, Jerry, In full Effect, catalogue essay, November, 1991.
Stone, Andree, The Content of Abstraction, catalogue essay, March,
1995.
Illus: Watch My Siganls, color
Thorson, Alice, Young Chicagoans, New Art Examiner, May, 1982.
Weins, Ann, Recommended: John Phillips at I-Space, New City, May
8, 1997, p.23.
Yood, James, John Phillips at One Illinois Center, New Art Examiner,
Summer, 1983, p.16 Illus: Humbert's Dilemma, b/w
Yood, James, Emerging, New Art Examiner, April, 1983
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