| John
Phillips |
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Lives and works in Chicago
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EDUCATION |
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1979
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MFA, The School of the Art Institute of Chicago
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1978
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Whitney Fellow, Whitney Museum of American Art ISP,
New York
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| 1975 |
BFA, University of Colorado, Boulder
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| SOLO EXHIBITONS |
| 2006 |
Galerie Kusseneers, Antwerp, Belgium |
| 2004 |
Hot
Mix- John Phillips: Selected Work 1979-2004, 11th Street
Gallery, Columbia College, Chicago, IL |
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2002
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Villa Montalvo Gallery, Saratoga, CA.
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Bodybuilder & Sportsman
Gallery, Chicago
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1997
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I-Space, Chicago
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1993
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N.A.M.E., Chicago
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The University Club, Chicago
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1992
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Dart Gallery, Chicago
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1987
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Marianne Deson Gallery, Chicago
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1983
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One Illinois Center
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1981
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Barbara Balkin Gallery, Chicago
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SELECTED
GROUP EXHIBITIONS |
| 2006 |
The 'O' Show, Ramapa College, NJ |
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artLedge, i-cabin, London |
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Group Show, Sideshow, Brooklyn, NY |
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Balls Out, Milwaukee, WI |
| 2005 |
Ideal, Metaphor, Brooklyn, NY |
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Optical Simulations, Yellow Bird Gallery, Newburgh, NY |
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The 'O' Show, Shore Institute of Contemporary Art, Long
Branch, NJ |
| 2004 |
All
the Right Moves, Suburban Fine Arts Center, Highland
Park, IL |
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Group Show, Bodybuilder & Sportsman Gallery, Chicago,
IL |
| 2002 |
Aficionado, The Pond, Chicago, IL |
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Project Room, Bodybuilder & Sportsman Gallery, Chicago,
IL |
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round/rounded, S. Cono, Brooklyn, NY |
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The Real World, Chicago, MTV show/website, curated by
Sylvia Chivaratanond |
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2001
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Ego-berry, Art and Design Center, Nagoya University
of Arts, Nagoya, Japan
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2000
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Critics Choice, Jan Cicero Gallery, Chicago
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Electraslip Knife, private loft, Chicago
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Out of Line, Chicago Cultural Center
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1999
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It Looks Easy, Gallery 400, University of Illinois,
Chicago
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Sextablos, Hyde Park Art Center, Chicago (catalogue)
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1998
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House of Wax, Contemporary Arts Center, Cincinnati
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Home Grown Cool, Wake-Forest University
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Tom Blackman Associates, Chicago
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1997
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Cool Painting, Reicher Gallery, Barat College, Lake
Forest, IL
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1996
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Art in Chicago, 1945-1995, Museum of Contemporary Art,
Chicago
curated by Lynne Warren (catalogue)
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Plane Speak, Chicago Cultural Center
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Abstract Chicago: 1996, Klein Art Works, Chicago
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1995
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The Content of Abstraction, traveling: Illinois State
Museum, Springfield;
Illinois Art Gallery, Thompson Center, Chicago; Gahlberg
Gallery, College of DuPage, curated by Andree Stone (catalogue)
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Chicago Abstract Painters, Evanston Art Center, Evanston,
IL
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A Sight for Sore Eyes, Ten In One Gallery, Chicago
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1994
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Benefit Exhibition, White Columns, New York
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The Spizer Collection, Rockford Art Museum
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Chicago Drawings, Galleria Porta 33, Funchal, Portugal
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Group Show, Klein Art Works, Chicago
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1993
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Cutting Bait, Randolph Street Gallery, Chicago
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Abstract: Chicago, Klein Art Works, Chicago (catalogue)
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Deluge, Lyons Wier Gallery, Chicago
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1992
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From America's Studio : Drawing New Conclusions, Betty
Rymer Gallery
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School of the Art Institute of Chicago, curated by James
Yood (catalogue)
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1991
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In Full Effect, White Columns, New York, curated by
Bill Arning (catalogue)
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Group Show, Dart Gallery, Chicago
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1989
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Invitational, Shea+Beker, New York
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Six Critics; Twelve Artists, Countryside Art Center,
Arlington Heights,
curated by Joshua Kind
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Summer Show, Dart Gallery, Chicago
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1988
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Expo Show, Marianne Deson Gallery, Chicago
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1986
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Extended Boundaries, Chicago Cultural Center, curated
by Deven Golden
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1985
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Chicago and Vicinity Show, The Art Institute of Chicago
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1984
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Formal Abstraction, N.A.M.E., Chicago
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1983
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Emerging, The Renaissance Society, Chicago
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1982
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Critical Perspectives, P.S. 1, New York, curated by
Peter Plagens (catalogue)
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The Sotet Collection, University of Maryland
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Three x Three, The Ukrainian Institute of Modern Art,
Chicago (catalogue)
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1981
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Black Light Planet Picasso, Private Loft, Chicago
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1980
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Drawn from Chicago, Nexus Gallery, Philadelphia
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Chicago Art Prospectus, Navy Pier, Chicago
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Four Painters, N.A.M.E., Chicago
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PUBLIC COMMISION
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| 1999 |
City of Chicago for Art, 911 Center, permanent installation.
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| PUBLIC COLLECTIONS |
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The John D. and Catherine T. MacArthur Foundation
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The Rockford Art Museum , Rockford , Illinois
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City of Chicago
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| SELECTED
BIBLIOGRAPHY |
| 2005 |
Wilk, Deborah. "Studio
City," Time Out Chicago, November, p. 125 |
| 2004 |
Camper, Fred. "Looking for the Color G-Spot," Chicago Reader, October
29, p. 28. |
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Hawkins, Margaret. Review/Galler Glance, Chicago Sun Times, OCtober
29, Illus: Having Little Heart Attacks for You, b/w |
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Artner,
Allen. "Phillips Retrospective a Marvelous Success," Chicago Tribune,
October 8, Illus: Baby Weemus, b/w |
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Postiglione, Corey. "Curators Forward," Catalogue Essay for "John Phillips:
Hot Mix 1979-2004," September |
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Relyea, Jennifer. "The Line between Abstraction and
Representation," Catalogue Essay for "John Phillips: Hot Mix 1979-2004," September |
| 2002 |
Snodgrass, Susan. Review, Art in America, May, p. 156, Illus: Back
Talk, color |
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Hawkins, Margaret. Review/Gallery Glance, Chicago Sun Times, March
8 |
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Artner,
Allen. "Phillips gets less sensuous," Chicago Tribune. Feburary 22,
Illus: Entourage, color. |
| 1998 |
Brunetti,
John. Home Grown Cool show brochure essay, Illus: Entourage, color |
| 1997 |
Brunetti,
John. "John Phillips at I-Space," New Art Examiner, Sept., Illus: Fickle
Notions, b/w |
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Artner,
Allen. "John Phillips at I-Space," Chicago Tribune, May 15, p.2 (Tempo),
Illus: An Event, b/w. |
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Weins,
Ann. "Recommended: John Phillips at I-Space," New City, May 8, p.23. |
| 1996 |
Hixson,
Kathyrn. "Plain Speak," New Art Examiner, March. |
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Holg, Garrett.
"John Phillips at Marianne Deson," New Art Examiner, March, Illus:
Vanina, b/w |
| 1995 |
Artner, Allen, Chicago Abstract Painters, Chicago Tribune. Feburary
3, p.48 |
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Bonesteel, Michael, Chicago Abstract Painters, Pioneer Press, Feburary |
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Riddell, Jennifer, The Content of Abstraction, New Art Examiner, Summer,
p.45. |
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Stone, Andree, The Content of Abstraction, catalogue essay, March,
Illus: Watch My Signals, color |
| 1993 |
McCracken, David, John Phillips at N.A.M.E, Chicago Tribune, November
19, p. 66, Illus:Peetie Wheatstraw's Buddy, b/w |
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Grisham, Esther, Cutting Bait, Dialogue, September/October, p.19 |
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McCraken, David, Ten Most Wanted, Chicago Tribune, September 10, p.65 |
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Morrison, Mandy, Fresh Paint, Reader, June 11, p.27-28. |
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McCorkle, Corey, Cutting Bait, catalogue essay, May, Illus: The Easy
Livin' Plan, b/w |
| 1992 |
Greene, Ann, Local Talent, Where Chicago, July, p. 20-21, Illus: Miss
Froggy, color |
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Hixson, Kathyrn, John Phillips at Dart, Arts Magazine, April, p. 96-97,
Illus: Role Model, b/w |
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Artner, Allen, Take a Bow, Chicago Tribune, January 16, p.2 (Tempo),
Illus: Nothin' but a Gossip. |
| 1991 |
Arning, Bill, In Full Effect, catalogue essay, November, Illus: Nothin'
but Gossip, b/w |
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Saltz, Jerry, In full Effect, catalogue essay, November |
| 1989 |
Holg, Garrett, Six Critics; Twelve Artist, catalogue essay, April |
| 1986 |
Krainak, Paul, Notes of an Abstract Idealist, Art Papers, September,
p.4-5 Illus: The Last Laugh and Cesare's Dilemma, both b/w |
| 1983 |
Yood, James, John Phillips at One Illinois Center, New Art Examiner,
Summer, p.16 Illus: Humbert's Dilemma, b/w |
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Yood, James, Emerging, New Art Examiner, April |
| 1982 |
Burleigh, Robert, Three x Three, New Art Examiner, June. |
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Morgan, Ann, Three x Three, catalogue essay, May, Illus: Reet Petite
and Modern Times, both b/w |
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Thorson, Alice, Young Chicagoans, New Art Examiner, May. |
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Kuspit, Donald, Critical Perspectives, Art Forum, April,p. 81-83 |
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Plagens, Peter, Critical Perspectives, catalogue essay, January. |
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Buleigh, Robert, Four Artitst, New Art Examiner, January. |
| 1981 |
Haydon, Harold, Review, Chicago Sun Times, October. |
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Meloche, Monique, Art in Chicago: 1945-1995 catalogue, (Biographies),
p. 275; Illus. P. 209, Space Shuttle (color) |
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Kangus, Mathew, Disappearing Epicenter, Insight, Spring, p. 7-8,Illus:
Humbert's Dilemma, b/w |
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Leonhart, Mark, The Art Party in Chicago, New Art Examiner, March. |
| 1980 |
Sachs, Sid, Drawn from Chicago, New Art Examiner, December. |
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Krainak, Paul, Drawn from Chicago, Nexus, September. |
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Haydon, Harold, Four Painters, Chicago Sun Times, July 4, p.41 (Weekender) |
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